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1 day ago2 min read

Trailer of the Day: I'm Still Here (2024) by Walter Salles

"I'm Still Here" (Ainda Estou Aqui) is a 2024 Brazilian-French political biographical drama directed by Walter Salles. The film portrays the life of Eunice Paiva, focusing on her resilience following the disappearance of her husband, dissident politician Rubens Paiva, during Brazil's military dictatorship in the 1970s.

Themes:

State Oppression: The narrative delves into the human cost of authoritarian regimes, highlighting the personal tragedies resulting from political repression.
Family Resilience: It showcases the strength and determination of a family confronting the enforced disappearance of a loved one.
Search for Justice: The film underscores the relentless pursuit of truth and accountability in the face of systemic denial and historical amnesia.

Awards:

Venice International Film Festival (2024): Awarded Best Screenplay.
National Board of Review (2024): Named one of the Top 5 International Films.
Golden Globe Awards (82nd): Nominated for Best Foreign Language Film and Best Actress in a Motion Picture – Drama (Fernanda Torres).
Critics' Choice Awards (30th): Nominated for Best Foreign Language Film.
Academy Awards (97th): Selected as Brazil's entry for Best International Feature Film; shortlisted in December.

Critical Reception:

The film has been lauded for its poignant storytelling and powerful performances, particularly by Fernanda Torres. Jessica Kiang of Variety described it as "Classical in form but radical in empathy," praising its emotional depth. Wendy Ide of Screen Daily highlighted Torres' "magnificent, intricately layered performance." The film received a 10-minute standing ovation at its Venice premiere, indicating strong audience appreciation.

Wikipedia

Box Office Performance:

"I'm Still Here" has grossed approximately $11.1 million worldwide, becoming the highest-grossing Brazilian film since the COVID-19 pandemic.

Reviews on Cinema Sites:

Variety: Praised the film's empathetic portrayal and emotional resonance.
Screen Daily: Commended the direction and performances, noting its subtle yet powerful impact.
Deadline: Described it as a "love letter to Brazil" and a "powerful warning from history."

Production Companies: